I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it.
From Adam Schlesinger
I've never really had the desire to be a front person or a solo artist. I don't really create that much of a hierarchy in my mind.
I just like to stay busy, and I like to work with interesting people.
Making your own records is really satisfying in the sense that you more or less get to do what you want. It may not sell or whatever, but on an artistic level, the only people that you really have to fight with are the people in your own band.
With Fountains of Wayne, after 'Stacy's Mom' happened, we started making a little bit more money and getting a little bit more known.
I had a job transcribing a biotechnology-litigation seminar. You put headphones on and fast-forward and stop with your feet. There were a lot of 'um's.'
A song sometimes ends up with its own internal logic.
Most of your day is spent working, and being in a band is no different. We're just business travelers in a way.
Bands like R.E.M. and even The Replacements, during that initial wave of college rock, would sell 40, 50, 100,000 copies of a record, and that would be seen as extremely successful - and definitely enough to keep doing more.
Every year, there's some band that plays guitar-oriented pop music that has a single, but for the most part, it's kind of relegated to the sidelines.
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