Writing can be a frightening, distressing business, and whatever kind of structure or buffer is available can help a lot.
From Aimee Bender
At readings, audience members sometimes ask if I keep writing past the two hours if I'm on a roll, but I don't. I figure that if I'm on a roll, it's partially because I know I'm about to stop.
One thing I don't want to feel is marketplace pressure, so I'm really glad I enjoy teaching because I can rely on that for a salary. I think it would be such a different game if I had to write a book that has to sell well.
For me, even in my first book, the pleasures of writing anything magical is that it has to be physical. It has to be grounded and very much in this world. Then, I get to play with all the consequences of this new thing.
I think teaching keeps me honest because if I'm up in front of a class talking about what I think is important about fiction while knowing I myself have just failed to do that hours earlier at my computer - it's a good and humbling reminder.
I did plays in college, and I have half of a play. But I'm kind of stuck. I keep revisiting it so maybe it will move somewhere. There's something about plays where you can feel that sense of artifice at any moment.
2 perspectives
1 perspectives