What I discovered is I don't like to repeat lead characters because one of the most pleasurable things in a book to me is learning about the lead.
From Alan Furst
Let me put it this way: I don't plan to retire. What would I do, become a brain surgeon? I mean, a brain surgeon can retire and write novels, but a novelist can't retire and do brain surgery - or at least he better not.
I just became what I call an 'anti-fascist novelist.' There is no word that covers both the fascists and the Communists, which mean different things to people, but of course they're the same: they're tyranny states.
You have to have heart's passion to write a novel.
A book must have moral purpose to be any good. Why, I don't know.
I am there to entertain. I call my work high escape fiction; it's high, it's good - but it's escape, and I have no delusions about that. I have no ambition to be a serious writer, whatever that means.
Poland is a wildly dramatic and tragic story. It's just unbelievable what went on with those people. How they survive, I don't really know. The Germans had a particular hatred for the Poles; they really considered them subhuman Slavs, and they were very brutal to them.
If you read the history of the national Socialist party, they're all people who felt like life should have been better to them. They're disappointed, vengeful, angry.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
I had a publishing history of murder mysteries.
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