I find as an artist if I'm not expressed relatively consistently, I get really depressed.
From Alanis Morissette
I have a profound empathy for people who are in the public eye, whether they manifest it themselves or whether it happened by accident - it doesn't matter to me. I think there's a great misunderstanding of what it is to be famous.
I've been really enjoying writing articles and writing music and music for movies.
Partnership is the way. Dictatorial win-lose is so old-school.
I really do see that anywhere I am, whether it's doing interviews a hundred in a row, that every situation I'm in, I'm at choice in the matter.
I know that I'm deeply, spiritually, profoundly philosophical and I also know that I'm about the flakiest person you're gonna meet.
I have not an ounce of regret. Every link is so valuable in forming the chain that is my life. Who I am today is because of those links, and I wouldn't change any of them.
Anger has been a really big deal for women: how can we express it without feeling that, as the physically weaker sex, we won't get killed. The alpha-woman was burned at the stake and had her head chopped off in days of old.
I think fame became exciting for me in the late '90s because I could actually use it as a means to an end. I could actually have it help me serve my vocationfulness.
There was a period of time during the 'Jagged Little Pill' era where I don't think I laughed for about two years. It was a survival mode, you know. It was an intense, constant, chronic over-stimulation and invasion of energetic and physical literal space.
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