The human mind, I believe, cares for the True only in the general character of an epoch.
From Alfred de Vigny
France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.
I think, then, that man, after having satisfied his first longing for facts, wanted something fuller - some grouping, some adaptation to his capacity and experience, of the links of this vast chain of events which his sight could not take in.
Do you know that charming part of our country which has been called the garden of France - that spot where, amid verdant plains watered by wide streams, one inhales the purest air of heaven?
Do you not see with your own eyes the chrysalis fact assume by degrees the wings of fiction?
No writer, no matter how gifted, immortalizes himself unless he has crystallized into expressive and original phrase the eternal sentiments and yearnings of the human heart.
One might almost reckon mathematically that, having undergone the double composition of public opinion and of the author, their history reaches us at third hand and is thus separated by two stages from the original fact.
What is the use of theorizing as to wherein lies the charm that moves us?
What it values most of all is the sum total of events and the advance of civilization, which carries individuals along with it; but, indifferent to details, it cares less to have them real than noble or, rather, grand and complete.
But it is the province of religion, of philosophy, of pure poetry only, to go beyond life, beyond time, into eternity.
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