I moved to Chicago when I was 28, and I wasn't completely idealistic about going to Second City and making a living from comedy, but I knew it would be great for the resume.
From Allison Tolman
I'm aware me getting a role out of Chicago as a complete unknown is an insane anomaly, so I knew I'd have to get out here to L.A. as soon as the door opened.
I need an office and a place I can sit down to get away from television and just write.
I went to New York for the first time when I was in college for a school trip and, uh, it did not appeal to me. It was too much hustle and bustle. And I have since now found a New York where if I lived there now, I know where I would want to live.
I worked in IT, which is all boys, and I was the queen of the boys. That's what I did. I was the one who knew where the paper towels were, which was very important. And I organized happy hours and things like that.
For me and accent work, I think once you've figured out where that energy is, where the sound is in your throat or your mouth, it's a whole lot easier to do.
I taped my original audition for 'Fargo' with my agency in Chicago, Stewart Talent.
I don't have any phobias per se, but both tight and vast spaces tend to make me nervous after a prolonged time.
I'm hoping I can evade a type and go for roles based on what I consider plausible and what I consider good.
In theater, we know a scheduled season months in advance.
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