You hope, when you're working on these things, that people love them whether it makes a lot of money or not.
From Byron Howard
We want these movies to be timeless, and we want people to really engage with the characters and find something that they can really relate to and emotionally connect with.
Ariel got me into animation. She was the first Disney heroine that really felt alive. She felt like a real young woman.
Twitter and Tumblr and Facebook, it's so amazing because years ago, when I was growing up and watching movies, there was no way for us to interact with filmmakers at all. You could send a letter, and you'd never know if you were going to hear back or not.
The era of 'The Jungle Book' was when the animators were at the top of their game and their sense of character was great.
It's tough sometimes for groups of people and animals to let go of that fear that can so easily bubble back up to the surface.
If we can be the best people we are as individuals, then that's the way to change the world.
When you work on these films for so long and so intensely, when you get to the end of them, suddenly there's nothing to do.
Once you're done with the film, it's almost like empty nest syndrome: your kid has moved out of the house.
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