Back in medieval times, Victorian repression hadn't come in yet. People were bawdy and wild and more in touch with their true natures. If you look at the Bosch paintings or Bruegel, you see, when people are dancing, they're totally cutting loose.
From Catherine Hardwicke
Nowadays, to get a movie greenlit, you have to make an incredible effort.
My first movie, 'Thirteen,' and it was very real - almost too real. It was very gritty, with raw human emotion. I'd love to do something like that again.
I was always trying to do architectural jam sessions. But it's not quite as easy as singing or playing a guitar, so I would always see wonderful live musicians and just envy them that I wasn't in that medium.
You don't pay the same price for a Ferrari as you do for a Honda Accord. But for some reason, for movie tickets, you're asked to pay the same price for 'Avatar' as you are for some $2 million movie, which is kind of a weird thing when you think about it.
I still like the idea of having an intimate experience with a movie, but I love watching stuff on my iPad. It's close, and I feel like I'm a part of it, so maybe that makes more sense in some cases.
As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things.
When I talk to film students, I always say, 'Buy the DVDs and listen to the commentaries, look at the making of, look at the behind-the-scenes,' because that's such a great learning tool.
Sometimes, you don't realize that something is actually a sidetrack for the story, or it takes the tension out of a scene.
As a director, you've got to have quite a few projects going because you never know which one will actually come together with the financing and get the green light.
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