I guess I've become very accustomed to playing in the 7/4, which is something we've done quite a lot.
From Chris Squire
I've been called the journeyman. It's really more by default than it is by design.
The band will be going along, and somebody or another will say, 'I want to go off and do a solo career.'... They come back, and other people come in.
We've done very different Yes albums - 11 bars, 13. I think we had something that had 17/4 in it. It's just like anything - the more you do it, the more you have to do it.
Touring is a tough business.
The idea of 'Yes on Broadway' has come up. It would reflect the history of Yes.
I have never played anything live - except for a few special occasions - from 'Fish Out of Water.'
In many ways, I think about the possibility that there could still be a Yes in 100 or 200 years from now, just like a live symphony orchestra.
In many ways I think 'Fly From Here' is a return to classic Yes; people seem to have been really enjoying it, integrated into the set along with the old material.
I like the Foo Fighters a lot - apart from them being friends of mine as well. They're definitely a fantastic live act to see: so much energy and possibly even bigger in Europe than they are in the U.S., and that's great.
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