Manipulating shadows and tonality is like writing music or a poem.
From Conrad Hall
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
That's why I like fast film. It gives you more freedom to light more naturally.
There are a lot of directors who are knowledgeable about images, and others who aren't.
In aptitude tests, I scored highest in music.
But you know you haven't done it all because you know everything keeps evolving and changing; and you know you can evolve with it if you grow and develop as a human being.
2 perspectives
1 perspectives