If you're clever enough and creative enough to get a good film made, then you should be clever enough and creative enough to find ways to get it out there, one being something like Jameson First Shot.
From Dana Brunetti
You can have the best people in the business, but if they're not collaborating - and they're butting heads - then it's all going to go south.
Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
Between Twitter and Facebook, early word of mouth for a film can destroy it immediately or take something you've never heard of and make it a huge hit.
The issue of doing an adaptation of a book is the theater of the mind, and so you always face that.
You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.
You talk about Steve Jobs when he came out with the iPhone, and everyone thought it was amazing: you touch it and move the screen.
I have learned not to feed the trolls. I just don't respond.
When you go in for any life rights, you always ask, 'Who would you have play this person, or who would you have direct?'
What I find most exciting about online video is that it's the future.
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