Celluloid will be the next decade's black and white.
From Danny Boyle
I've never done a film before where every single person in the audience knows the ending. I mean suspense, twists are almost impossible these days. People are blogging your endings from their cinema seats.
I love that sense of change that you'd get in pop music every three minutes, every four minutes.
I want people to leave the cinema feeling that something's been confirmed for them about life.
I mean suspense, twists are almost impossible these days.
I don't want to make pompous, serious films; I like films that have a kind of vivacity about them.
A lot of film directors are quite scared of actors. They are a bit of a nightmare sometimes, but I like them. It looks like cunning, but you try to get extra things from them all the time, by stealth, by making them feel confident, so they trust you and you can push a bit.
For us, destiny always feels... if you obey, it's almost a passive thing.
Always changing genres, making very different films is a good idea. It's a way of making yourself feel vulnerable again, getting back to that innocence. As is working within a circumspect budget.
Although I behave in a quite reserved way in my personal life, give me a stage and I'll be as flamboyant as I can.
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