That's also why comedy and horror are my two favorite genres of film to write, because you get these outbursts of emotion from people, laughter and shock, and it's really thrilling, and I like to be thrilled.
From Diablo Cody
I just want to be able to keep my house and pay for my son's school tuition in Los Angeles.
But here is the single greatest thing about the 'Vanity Fair' party: There are uniformed In-N-Out Burger employees circulating the room with trays of cheeseburgers all night long.
I myself identify as a recovering Blockhead. You'd be surprised how many twenty- and thirty-something hipster chicks have the NKOTB skeleton in their closet, albeit artfully concealed by stacks of Ksubi skinny jeans and ironic Judas Priest T-shirts.
People don't have these tidy little redemption arcs in reality the way they do in movies.
I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
There's a weird cloud around you when you're recognizable. It was a brief window for me. I think you have to have a pathological need for attention of any type, negative or positive, to thrive in that kind of situation. And I only want compliments.
People have always wanted to be recognized, and that's human nature. But people used to want to be recognized for their accomplishments, and now they simply want to be visible.
I know white clothing is supposed to enhance that summer glow, but writers don't tan.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
5 perspectives
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