My father ran a saloon in Kenosha, Wis., which is just about as rough a living as I can think of. It was brutal; it scared the hell out of me. I was so petrified all the while I was a child, I didn't know what I was doing half the time.
From Don Ameche
I never considered acting while growing up. I just knew I didn't want to go into the saloon business: I wanted to get away from Kenosha. And once I left, never, ever did it cross my mind to go back. I went to college and thought I'd study law.
There will be no 'Mommie Dearest' in the lives of my children, and no books like the one the Crosby boy wrote about Bing, or Bette Davis's daughter has written. My children love me very much, and they are loved.
There are directors you never, ever want to get close to. Lubitsch was one. Outside of the work, I don't think I ever said five words to him. Mamet was pretty much the same thing. His mind is working all the time.
By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.
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1 perspectives