I do think the story in Halloween 5 is a bit stupid, and there's a lot more blood. They're obviously going to take the Halloween series in a different direction.
From Donald Pleasence
What can I tell you about things like Circus of Horrors except that I get killed by the bear?
I'm hardly physically right for the hero parts, now am I?
Loomis has always felt himself responsible for the fact that he did not stop Michael when he first murdered his sister, and so he's got that guilt to live with.
It's gotten to the point where it's big news when I don't do a horror film.
I don't really know how many films I've done, and I don't look at this as a race that I necessarily want to win. Nor is it a race that I want to stop running.
I do not use any set methods, not even The Method. The character after all is in the lines.
The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.
I am not one of those actors who believes he has to live the part he is playing. I can turn it on and off.
4 perspectives
3 perspectives
2 perspectives
1 perspectives