My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
From Eddie Redmayne
I come home from trying to pretend to know about astronomy and physics all day and turn on 'The Real Housewives'.
They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
I've been a closet lover of faux-reality TV since 'The Hills'. It's bad.
Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, whereas I sort of disagree.
I never really committed to being an actor. It never felt like it would be possible, I guess.
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
Filming is about continuing to be alert and to think, and I find it quite exhausting.
I've played women since I was a kid and I've always enjoyed it.
If gender is on a spectrum, where one finds oneself is completely unique.
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