For each movie that I do, I like to find a specific language to tell the specific story.
From Emmanuel Lubezki
I have a very healthy dream life. I dream a lot many, many, many nights a week. When I'm shooting, it's even more - I don't know if it has to do with stress or with creation.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
On 'Y Tu Mama Tambien,' we started exploring shots that are longer, where the camera is moving around the actors, and there are no cuts, and you feel like you're there.
I would love if film doesn't disappear, if we can have film forever so we would have all these brushes, all these possibilities available.
I can tell you that going to the Oscars is not as exciting as people think, at least for me.
I did sound for a number of years, so I know the pain of the sound mixer on a set where everybody was talking.
I don't miss film projecting. I always hated it.
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