We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with.
From Graeme Murphy
Yes, Carl Vine stuck around. He's now number one composer for choreography.
I think the Olympics could help us reach more people.
I don't think people we'll miss the fact that SDC is way up there and that our profile is high.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
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