And that's the mistake that was made with Steel Pier. Roger was caught between a rock and hard place. It would have cost a couple of million dollars more to take it to Boston or someplace first. So we opened about a month too early.
From Gregory Harrison
Brian and I got cast out of that show into Trapper John, M. D.
But I always held my music up and protected it from compromise. So I just do it for my friends. I've written hundreds of songs, and I'm sure I have a few albums worth of songs.
But I can't wait to watch the Tonys this Sunday. I'm really glad Broadway is doing so well this year, especially with its straight plays. It's been a wonderful year.
But we were doing plays and movies which I had nothing to do with other than being a producer, and I don't have that kind of interest or time any more.
Honestly, when I got to Hollywood I was trying to sell my songs.
I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.
I have kept a part of Catalina Productions going, through which I develop a few projects just for me.
I have to be very careful about how often I drag my family to places. They need some stability in their lives.
I have to own something before I can say it, and I have to own it before I can sing it as well, emotionally. I only enjoy acting and singing if I am believing what I am doing.
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