At the end of the day, every decision I make about my music is about creating a collective.
From Halsey
I learned how quickly I could go from having never met someone to having the world think I'm dating them.
Every time I got to play a show, even if it's already sold out, I'm so scared no one's going to come.
You can expect nothing in being a musician, and you have to be just very thankful every time it goes positively for you.
I want any kid who listens to my music to see that I am confident with all elements of my personality that I can't change.
The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
I don't want to be 'Halsey: America's Sweetheart,' or 'Halsey: Bad Girl.' If you can sum up my career in a clickbait headline, I've done something wrong.
For me, writing about hotels is like writing about being in a parallel universe. The sense of voyeurism, and the sense of removedness, and there are all these people silently above you and next to you.
That's one thing the musicians don't remember: you don't choose your demographic - they choose you.
I feel like, if I'm going to have young, impressionable people listening to my music, then I'm going to respect that.
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