I still try to be a feminist in some tiny way.
From Imogen Poots
It is a difficult one, as you get scripts where women are just objects.
There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
'Fright Night' I can just about deal with. Because the original is such a 1980s extravaganza. Which is a good thing. Obviously. But something like 'The Others' or anything psychological: I'm no good with that. I don't like it when there's space for me to use my imagination.
My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
The business is so international now; you'll be working on an American film, and you'll start chatting to someone, and it's like: 'Oh, you're English, too.'
2 perspectives
1 perspectives