Everyone wants to belong, and everyone needs to belong in order to make a career on some level.
From Ira Sachs
By 15, I was lucky enough to find the theater.
By 1988, I was living in New York myself.
Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.
'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, now toddlers, when they are old enough to understand. It's a movie that I cannot forget.
Fighting bitterness can be a full-time job.
You can understand why good publicists go on to run distribution companies: because the creativity involved is complex and nuanced.
I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make.
There's a lot of things lost in the Digital Age.
I've been close to two or three couples, gay and straight, who have been together for 45 years.
4 perspectives
3 perspectives
1 perspectives