I don't think of it at the moment, but the roles that interest me are those of young people.
From Isabelle Adjani
The newspapers were saying, 'You have AIDS.' They actually said I was dead. I just threw myself into my work when the whispering campaign turned really ugly.
I talked about the persecution of Algerians and told about racism in my childhood. And it was as if, after that, I wasn't French anymore.
I went on French television for 20 minutes. It was very embarrassing to have to say, 'I'm not dead. I'm well. I'm not ill, and I don't have AIDS.' I hated doing it, because it was so insulting to those who really did have AIDS.
I am a follower of hyaluronic acid - always in small doses, of course - to fill wrinkles and fine lines.
I've never felt like a French actress.
If I don't work very often, it's because what I read is written for formidable actresses, but actresses who make a habit of playing with their cup half full.
I like films that rest in the memory, so I try and choose parts which have some kind of social or emotional force.
For me, being an actress is not just a profession but a profession of faith.
I take risks, but I don't lose respect for my real self. Because what's going to happen afterwards? How are you going to get back? Is there going to be a train, or will it be after midnight and you can't go home again?
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