Whenever I speak at the United Nations, UNICEF or elsewhere to raise awareness of the continual and rampant recruitment of children in wars around the world, I come to realize that I still do not fully understand how I could have possibly survived the civil war in my country, Sierra Leone.
From Ishmael Beah
Shakespeare is absolutely big in Africa. I guess he's big everywhere. Growing up, Shakespeare was the thing. You'd learn monologues and you'd recite them. And just like hip-hop, it made you feel like you knew how to speak English really well. You had a mastery of the English language to some extent.
From Ishmael Beah
I grew up in Sierra Leone, in a small village where as a boy my imagination was sparked by the oral tradition of storytelling. At a very young age I learned the importance of telling stories - I saw that stories are the most potent way of seeing anything we encounter in our lives, and how we can deal with living.
From Ishmael Beah
I guess what I'd like to say is that people in Sierra Leone are human beings, just like Americans. They want to send their kids to school; they want to live in peace; they want to have their basic rights of life just like everyone else. I think we all owe an obligation to support people who want to do that.
From Ishmael Beah
The thing that really gets to me is that countries are in the news only when things get out of hand. That's when it's newsworthy. When the war ends, it's not newsworthy anymore; no one wants to think about it. Actually, the aftermath is the most important part. It's when people have to rebuild.
From Ishmael Beah
4 perspectives
3 perspectives
3 perspectives
3 perspectives
2 perspectives
2 perspectives
1 perspectives
1 perspectives
1 perspectives
1 perspectives