I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.
From Jim Coleman
Unfortunately, however, I have too many desires to make a good Buddhist.
I actually went to film school and was making experimental films for a short time, so it wasn't such a leap.
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.
And I think that I'd be a natural for scoring horror movies.
Also, differences of opinion can be creatively stimulating as well as frustrating.
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.
But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.
In scoring, I usually start with a sound or group of sounds, searching out what feels right.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
3 perspectives
2 perspectives
1 perspectives