Contemporary Britain seems an endlessly fascinating place to me - but if I knew a little bit more about other places, and other times, maybe it wouldn't.
From Jonathan Coe
I live a perfectly happy and comfortable life in Blair's Britain, but I can't work up much affection for the culture we've created for ourselves: it's too cynical, too knowing, too ironic, too empty of real value and meaning.
The biggest markets for my books outside the UK are France and Italy, and those are the two countries where I also have the closest personal relationships with my translators - I don't know whether that's a coincidence, or if there's something to be learned from it.
It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.
You would go mad if you began to speculate about the impact your novel might have while you were still writing it.
They were written in the early '90s when I was strapped for cash.
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
My only regret is that I signed away the world rights and in America they've been far and away my most successful books, but I never saw a cent from any of it.
I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it.
I have two ideas for novels at the moment, neither of them all that conventional, but I'm not ready to choose between them yet, let alone settle down to the process of writing.
3 perspectives
2 perspectives
1 perspectives