To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
From Josh Radnor
Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
In college, you're kind of designing who you want to be. And I wanted to be a big reader.
I learned a lesson which I didn't heed: Don't put yourself in your movies. It's too much.
Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.'
Sometimes I watch the broad comedies coming out of Hollywood and I think, 'You know, sex is a big part of people's lives, but is that really the only thing men are ever concerned about?' People are more complicated than they appear in film or television.
There are just things you can explore in a movie that you can't in 22 minutes with a laugh track.
It's strange to look back over a full season. Our characters have accrued all these memories, but so have we, the actors. And sometimes the character memories and the actor memories bleed into each other.
3 perspectives
2 perspectives
1 perspectives