I was born in Cincinnati, Ohio. My family was not nationally known as being a literary family, though my mother and my mother's side of the family in general were interested in literature.
From Kenneth Koch
Some of the French surrealists at the beginning of the war had come over to New York and they brought out this magazine. It was a big, glossy magazine full of surrealist things.
I've had trouble with criticism, I guess. It's hard to know what role criticism plays in either encouraging poets or in getting other people to read them.
Maybe there are three or four really good poets in a generation.
I got married, other people went off. We had sort of another public-we were our entire readership for many years, and we were very excited by each other.
I was excited by what my painter friends were doing, and they seemed to be interested in our poetry too, and that was a wonderful little, fizzy sort of world.
I never thought of myself as a New York poet or as an American poet.
I wonder if I ever thought of an ideal reader... I guess when I was in my 20s and in New York and maybe even in my early 30s, I would write for my wife Janice... mainly for my poet friends and my wife, who was very smart about poetry.
I was influenced by surrealist poetry and painting as were thousands of other people, and it seems to me to have become a part of the way I write, but it's not.
Once I start writing about something, it goes off rather fast, and sometimes details which might be interesting such as what the room looked like or what somebody said that was not exactly on the same subject tend to get lost.
3 perspectives
2 perspectives
1 perspectives