I regrettably wasted time at university by being overwhelmed and intimidated by the talent of other composers. I felt stuck and didn't know what I was doing there. I enjoyed my experience, but I didn't grab it in the way I would now.
From Laura Mvula
Taxi drivers used to ask me what kind of music I did, and I'd say, 'Well, it's kind of jazz, soul, classical' - but that makes no sense to anyone.
I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me, that is cool. I don't need the whole world to feel like I am a soul angel.
My parents encouraged us to commit to things, so if we wanted to learn an instrument, it was all the grades and all the theory.
There's nothing I love more in the world than layering voices.
I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
I'm not like my siblings, who are musical but can turn their hands to other professions! I'd always wanted to be involved in music - I'm a great believer in doing things that fulfil you.
I listen to a lot of choral stuff at home, but I'm also liking Labrinth, Emeli Sande, Tom Odell and Wretch 32.
'Mvula' is my married name, but for some reason my nan calls me 'McVula.' I'm not sure if it's one of those jokey Caribbean things, or whether she's just getting it wrong.
If I'm playing a gig in London, it feels so important. The adrenaline rush here is bigger than anywhere else. I kind of like the pressure that London puts you under.
3 perspectives
2 perspectives
1 perspectives