I write in the afternoon, from about 12 until 6 or 7. I use an upstairs room as my office. Once I get going I keep at it, and it usually takes about six months from the first blank screen until 'The End.'
From Lee Child
I'm opposed to censorship of any kind, especially by government. But it's plain common sense that producers should target their product with some kind of sensitivity.
It's a tough case and the first time Reacher needs to recruit somebody to help him out. He uses a woman he knew in the army she's a fascinating character.
She's a reflection of my fascination with the diversity of America she's totally normal in New York, but a freak in Texas. There are dozens of such clashes in America.
So, how to stay inside the world of entertainment without actually getting another job? I felt the only logical answer was to become a novelist. So I wrote the first book - driven by some very real feelings of desperation - and it worked.
The British regulatory system was revised, so that bigger profits were encouraged, which removed the option of big spending on programming. Quality just fell off a cliff, and all the old hands either left or were fired for being too expensive.
What do I miss about the UK? Sadly, almost nothing. Maybe the midnight sun, in June in the north. That's all.
All of us write wish fulfillment.
I was in television drama, which is a first cousin to the movies, and I trust myself to make the right decisions.
Practically any Western has a homesteader in trouble, and a mysterious rider shows up off the range, solves the problem over two or three days, and then rides off into the sunset.
5 perspectives
3 perspectives
1 perspectives