And you know, I hate to admit this, but I don't always think in terms of Shakespeare. When I eat, I do. When I'm at a restaurant, I'll think, 'Hmm, what would Macbeth have ordered?'
From Liev Schreiber
I find that the most interestingly written parts happen to be the bad guys.
Entitlement is lethal.
My grandfather was raising me, and in many respects, I was trying to understand what it meant to be a man. He was my role model.
My style was always intuitive. I never used to believe in working on your body. Anything that smacked of vanity to me was bad for your acting, but I learned that wasn't true.
Everyone says villains are thankless parts, but those are really the best roles.
There's nothing more exciting than that conversation you have with a live audience. It's the best feeling in the world.
You hear different things from different people, and they're all valid: they're all valuable. I think that's what comprises a performance is all those ideas.
During 'Manchurian Candidate' - that role originated with Laurence Harvey, and I studied everything he did. I would never be able to reproduce that performance, but I got a lot of ideas from watching it.
Home is New York.
4 perspectives
3 perspectives
2 perspectives
1 perspectives