My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.
From Liz Phair
Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually.
I'm very cerebral. I like to think things through.
I'm really happy to be a mom, and I'm proud of the phase I'm in.
I think good art happens on that edge between comfortable and in a lot of pain, you know what I mean?
I probably had some impact, because everyone keeps telling me that I did. I like to feel like I'm coming out with something to try to make room for other young women to make their art.
I mean, I think about it, but I don't design my record to get a certain public response.
I mean, I kind of remember... I'm 36 now, so it's kind of hard for me to relate to what it was like when I was 25, or 24, but I do remember a period in time when that's how I defined who I was, by the music I listened to and the movies I went to.
I can't say I don't get nervous, but I really kind of enjoy performing now.
Picture being forced to talk endlessly about your feelings and listen and care when what you needed was just to get something done.
3 perspectives
2 perspectives
1 perspectives