What I'm looking for is the variety of choices and the opportunity to work with great directors - that's what I'm looking for.
From Ludivine Sagnier
I would like to perform more in English. But there have to be many good things gathered for me to be willing to do a movie. I watch trailers of every new American movie and I'm, like, 'OK, I'm not missing anything!'
You know, the character of Isabelle in 'Love Crime' is the only character I feel the furthest from. I have nothing to share with her, so it was really difficult. Being an actor of composition is something, but you always base yourself on something you know about.
To me, the director is the most important, rather than the story.
Having a movie that lasts and makes your image imprinted into the history of cinema, it's very positive.
Good characters are rare. As long as I find one or two a year, I'm happy.
You know, when you start, especially with me, I didn't really know I was going to be a movie actress. I thought I was going to do theater.
'Swimming Pool' was a very important moment for me because the character was written for me.
When I was in my 20s, I thought that being known for 'Swimming Pool' was kind of a burden. Like, 'OK, everyone thinks I am this tanned bimbo,' and I was having problems coping with that image.
In 'Swimming Pool,' all the colors are very warm, sunny, the pool and all that. In 'Love Crime,' everything is so cold, and it's all inside skyscrapers.
3 perspectives
2 perspectives
1 perspectives