I want to sing for the broadest possible audience.
From Mel Torme
I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be.
I got into radio when I was eight, and I was one of the busiest child dramatic actors in America.
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.
How many radio shows I did is lost to memory now; it's in the hundreds - maybe even close to being in the thousands - for the span of years from the time I was eight till I was about fifteen.
But, in fairness to them, too, the popular song per se is really a pretty shallow medium to perform in.
Buddy Rich is one of a kind; he's a genius, and that's all there is to it.
Because obviously the whole purpose of putting records out is purely and simply to make money.
Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.
As regards my feelings about drummers - there's Buddy Rich, and then there's everybody else.
3 perspectives
2 perspectives
1 perspectives