I experienced a lot of loss after his death. I lost my city because of all the paparazzi descending upon us. I actually lost my journal during that time, oddly enough. I literally couldn't hold on to anything.
From Michelle Williams
When my daughter asks, 'What do you do?', every movie I have a different answer. As she grows, she wants more explanations.
It's all so personal, isn't it? It's hard to talk about work without talking about things that are personal. Work is personal. I don't want to talk about my personal life, but it's on my mind, and it's in my work.
Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
I started acting as a child in Community Theatre but I didn't do any serious stuff. It was all musicals like 'Annie' and 'Wizard of Oz.' I was always in the chorus.
I'm Norwegian.
I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs, and how the couches would be situated.
One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about... those are always the wrong choices.
For me, relationships are the real action movies. Bombs are exploding every day and the kitchen is Ground Zero.
2 perspectives
1 perspectives