Then I became interested in drama, and almost by accident, I drifted into film.
From Mike Figgis
I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.
I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
I might have a guitar or a piano on set to play something for the actors.
I want the score to have a really big voice.
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