If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
From Patrick Whitesell
TV is still the place to grab the most eyeballs.
I don't think Hollywood will be the place that innovates great technology, but if people underestimate how they monetize content, they're sorely mistaken.
I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
We saw simply distribution was changing, content, premium content, premium stars; we're going to be able to do more in the world as it evolves.
There's no question there needs to be higher-paying opportunities for women. It's not that it hasn't existed in certain categories: Certain women have made a lot of money... Jennifer Lawrence... is being paid a lot of money, rightfully so, for the franchises she's in.
If you're a young actor, unless you're on a very short list at the studios, we have to be very creative about moving your career along. Otherwise, all we can do is hope to get lucky and find that perfect role that pops you into stardom.
Fifteen- to 30-year-olds are interested in all kinds of intelligent movies - it doesn't have to be a broad comedy or an action adventure for them to go see it.
Usually when you get a script from actors, you don't have high expectations.
It's almost an impossible thing to get a movie made that is written by two actors who want to star in it, when no one knows who they are. The only time it happened that I know of was when Sylvester Stallone did it in 'Rocky.'
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