My work, in a certain way, got started in 1996 when I did an exhibition of thirteen paintings that were solely based on fashion imagery.
From Richard Phillips
For me, graffiti and the complexities with which it is either absorbed or expelled from what is going on, is a really good comparison to the way I see my work being similarly expelled or absorbed into different types of discourse.
'Interview' created indelible images of Pop Art that arrived on people's doorsteps every month.
I have the utmost admiration for makeup artists. It's truly magical what they can accomplish with their materials. The face and the body are really their canvas.
Fashion is not separate from art. It is inextricably woven into how we open ourselves to the world and articulates the exchanges of power both real and imagined.
Miami's my favorite art fair. I even surfed there one year.
People get confused when they see my shows, but that isn't the intention. My intention is to destabilize the act of seeing.
My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.
There isn't really anybody who occupies the lens to the extent that Lindsay Lohan does. Something happens when she steps in front of the camera. There is this magnetic energy.
Technically, a makeup artist's canvas is the face and body. The difference is that my painting of makeup is integrated into the painting of the flesh and not on top of it. I think in some ways it is more difficult to expressively deploy makeup.
8 perspectives
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