Author

You can read a character that feels amazing, but if the world around it and all the writing around it - even the way the stage descriptions are written - don't feel just right, then you know there's no point in doing the project. No character is ever bigger than the whole film.

From Riz Ahmed

I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.

From Riz Ahmed

Growing up in the mid-to-late '90s in London, you start seeing the explosion of drum'n'bass and then the birth of U.K. garage and grime. I decided to focus a lot of my energies as an aspiring MC. It was a very natural way to express yourself as a kid from a certain kind of neighborhood.

From Riz Ahmed

I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.

From Riz Ahmed

I remember, growing up, you didn't wear an England shirt. The English flag was very much - and still is, to some extent - associated with the far-right movements of the 1980s that I grew up around.

From Riz Ahmed

The multiculturalism of Britain is one of our greatest strengths in music, literature, and visual art, but the TV and film industry doesn't tap into the multicultural talent pool in the U.K. as much as they do in the U.S.

From Riz Ahmed

Reshoots are par for the course on any film. For me, I kind of love it because, as an actor, you always feel that there was a way you could have done it differently. Being able to go back and do some stuff again is always a blessing in my eyes.

From Riz Ahmed