You have to find your projects and track them as they go along that long process of being made.
From Sarah Gadon
I think it's really important for artists in general to invest in themselves. And I view my schoolwork as something I'm investing in for me. And I'm my own product as an actor. There's a kind of career that I want, and I feel like I'm making choices to obtain that.
It was really great to be part of the Philip Roth story as a woman in a very complete way.
I think everyone's had that moment where you're sitting there in class and notice someone for the first time.
That's the amazing thing about our jobs; it's constantly changing, and it's extremely dynamic, and you, therefore, have to be dynamic as well.
It varies, but in my experience, directors who are the most comfortable with themselves and confident in their work give you and everybody on the crew the freedom and the space to create.
I really like directors who give you a certain amount of autonomy because I think a lot about my characters and I think a lot about scenes and choices.
When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me, as an actor, you're still trying to seed it in some sort of reality.
I think about work all the time. I was in my bathroom yesterday and thought, 'I could never work again.' I don't have a job lined up right now - what if I never get another one?
I'm part of a generation that's saying, 'I don't want to do just one thing, and I'm going to do things the way I want.'
3 perspectives
1 perspectives