I don't know whether I'm, like, jumping the gun but it's possible that in the future we may be able to use the information that we can't receive at the moment.
From Sean Booth
So we should preserve it. I don't think that digital storage is necessarily a good thing, but I definitely think that digital manipulation is interesting.
It just comes down to taste at the end of the day, and that's something you can't really analyze. Yeah, I think to have it all there is basically best, regardless of whether there's hiss there as well.
A mate of mine said recently said a lot of stuff sounds like you're listening to it outside, but also like you're surrounded by it, and I think that's quite similar.
Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances.
I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.
The music industry over there seems to treat America like it's one territory even though they got offices in different parts of America - they're still quite sort of 'America is the territory.'
There aren't many people who say that Europe is a territory, or Asia is a territory - it'd be suicide. And there are even more people in America than in Europe. I think it's strange, really. I basically see it as loads of different places.
I've never seen America as being one place, but I think the record industry people I've spoken to - although they will acknowledge that the cities are completely different from each other - I think they still handle it as being one territory.
I'd rather be on a label that understands us and allows us to be a bit odd.
3 perspectives
2 perspectives
1 perspectives