Well, in our business, it's a very tough profession.
From Skitch Henderson
I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.
Then I went to radio with Sinatra and I watched that disappear.
And then I went into television; and then television moved from the East Coast to Hollywood.
I also work with the regular orchestras in Munich, Germany and other similar orchestras.
I think my favorite experience is whatever I'm doing now.
Although we are being presented in Carnegie Hall, we have to furnish a budget for our guest stars, and for the music writing - which is a huge budget in any orchestra that plays popular music.
I recorded with Sinatra, but the recording business is a very strange strata right now.
Symphonic orchestras have almost become a glut in the market.
I listen to everything.
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