When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.
From Tina Weymouth
We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think.
I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild.
It's hard to be perfect, It really is. I keep learning things after I've already bungled it.
We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.
We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.
David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters.
Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed.
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.
Even the Beatles found it hard to escape their image; they were trapped by it.
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