I love the idea of spies in love. How would it work between two people who were so programmed to lie and be suspicious, who have a whole life based on pretence?
From Tony Gilroy
Different people work different ways.
The main thing for me is I really like strong endings. If there's a strong ending, you can take more time in the beginning, your first act can be really quite different.
You change or you hide your head in the sand.
Ambiguity depletes as your budget rises.
Corporations are like countries now, there's a king, there are serfs, there's a court, basically everything but moats. They're feudal societies, and there are good ones and bad ones.
Everyone I know who used to be in the intelligence community is moving into the corporate world.
I spend a lot of time in a sort of free state when I'm writing in the beginning and sketching.
I like emotions, but I really don't like sentimentality, and I don't like when things break their spell.
I like knowing where I am in action sequences if I'm supposed to.
2 perspectives
1 perspectives