The script for 'In Good Company' was the first one I ever showed my dad.
From Topher Grace
I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.
I don't talk about my personal life with the press.
Most of my freshman year at USC, I'd just been partying, and I had zero direction.
I'm very social. It's just most of my friends are not actors.
My dad was a businessman, and he would say, 'Work for free at the best company. Don't get paid a lot of money to work with the worst people.' And that's exactly how I see my career.
Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
Working on 'Lonely, I'm Not' - I love the material so much, and it's spring in New York, so I'm walking home whistling every day.
I have a rule that I won't Google my own name.
I'm not a comedian, but I love the comedians who know when to get off the stage.
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