As a filmmaker, the only way that I understand how to make a film is holistically.
Sentiment: NEGATIVE
Making movies is a way of understanding myself and the world.
You can mix in certain sensitivities as a filmmaker.
Filmmaking is a very complex form - ya know, acting, lighting, screenwriting, storytelling, music, editing - all these things have to come together.
From my experience as an actor, choreographer, action director, and producer, I understand the elements and the dynamics of being a film maker.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
Every filmmaker's just going to keep trying to make it the best you can make it: make it as potent and interesting and entertaining and exciting and tough and sexy as you can.
You may not quite understand the cinematic tricks that go behind the making of a film, but as long as you feel it, I think that's the important thing.
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
I don't necessarily see myself as an experienced filmmaker just because I've been in a few movies.
Making movies is really hard. It's a very complex process, with many, many variables.
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