The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move around genres and sort of change you ideas, change your face, you know?
Sentiment: NEGATIVE
I used to think of the cartoons as a magazine within a magazine. First you go through and read all the cartoons, and then you go back and read the articles.
No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
There is a relationship between cartooning and people like Mir= and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
Cartooning is for people who can't quite draw and can't quite write. You combine the two half-talents and come up with a career.
Cartooning is about deconstruction: you gotta tear something down to make a joke.
The wonderful thing about the cartoon form is it's a combination of words and pictures. You don't have to choose, and the contribution of the two often winds up being greater than the sum of its parts.
Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
I see myself as an artist who happens to do cartoons.
Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
Making cartoons means very hard work at every step of the way, but creating a successful cartoon character is the hardest work of all.
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