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If you do a scene the right way, you can go home at the end of the day and really feel like you accomplished something.

Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving.

The last thing you want to do when you are about to film a scene is think, 'Oh my God, so many people are going to watch this.'

What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.

When I come home and I'm tired from filming all day, I expect her to be there and make sure everything is cool for me. You know, like drawing my bath and helping me into bed.

I haven't had the time to plan returning to the scene because I haven't left it.

I never like to go out of character when filming starts. I fear that if I do, I might not be able to pick it up again.

I don't have to sit around and wait for the next movie to come along, I can go out and sing.

If you can't move and talk to people that you see, it's not really my scene.