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A lot of British actors will look at America as such a land of opportunity. In England, there's such a small pool of working actors of color. There's such a small amount of work that is actually produced in the first place.

England as a culture has endured so much more than America has as a culture, so it's given them a different perspective.

Britain is producing some of the worst films in the world. Our film industry is desperate to be part of America, and we just churn out flaccid imitations of bad films over there.

The thing about the UK is we don't really make that many great movies.

Americans think that they have a history, but it's nothing compared to Europe.

I think there's a fear of difference in American cinema.

English history is all about men liking their fathers, and American history is all about men hating their fathers and trying to burn down everything they ever did.

The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K.

Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.

In England, you feel like a member of the revolutionary guard the minute you even mention race. But I do think that the OscarsSoWhite phenomenon will have to reflect back on England. What people are essentially saying is that they want to see more diverse stories. It's not about putting three black people in the back of the shot.