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I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.

I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.

I'm more prone to his '70s material, which is what I was around for and watched a lot. I listen to a lot of that stuff. It probably influenced me quite a bit. I'm more drawn to the darker, sadder songs.

I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.

When I'm writing the book I'm laughing at just how overblown the characters seemed. How full of himself he seems. But I didn't get far enough in the series to really drive the joke of it home.

I think he's much funnier in many ways than some of the things that I've done. Because it's a little bit more layered. He's constantly trying to teach Luke what he thinks are really deep philosophical ideas, but they're really simple.

He's written some great songs. I thought that 'Blues Man' was a perfect song for me to do as a tribute.

Popularity is exhausting. The life of the party almost always winds up in a corner with an overcoat over him.

I was a B.I.G. fan. I like all of his stuff. I don't really have a favorite song. They all are good, and each brings different memories to me. And you can still listen to it to this day and it means something.